History of Art III
| Title | ΙΣΤΟΡΙΑ ΤΗΣ ΝΕΟΤΕΡΗΣ ΚΑΙ ΣΥΓΧΡΟΝΗΣ ΤΕΧΝΗΣ 3 / History of Art III |
| Code | ΥΘΝΣΤ3 |
| Faculty | Fine Arts |
| School | Visual and Applied Arts |
| Cycle / Level | 1st / Undergraduate |
| Teaching Period | Winter |
| Coordinator | Louiza Avgita |
| Common | Yes |
| Status | Active |
| Course ID | 600001184 |
Programme of Study: New PPS of School of Visual and Applied Arts (2014-today)
Registered students: 199
| Orientation | Attendance Type | Semester | Year | ECTS |
|---|---|---|---|---|
| KORMOS | Theory | 5 | 3 | 3 |
| Academic Year | 2022 – 2023 |
| Class Period | Winter |
| Faculty Instructors |
|
| Instructors from Other Categories |
|
| Weekly Hours | 3 |
| Class ID | 600217285
|
| Section | Instructors |
|---|---|
| 1. Παπαγεωργίου | Nikolaos Papageorgiou |
| 2. Αυγήτα | Louiza Avgita |
Course Type 2021
Specific Foundation
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
- Face to face
Digital Course Content
- e-Study Guide https://qa.auth.gr/en/class/1/600217285
- eLearning (Moodle): https://elearning.auth.gr/course/view.php?id=12152
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
- Greek (Instruction, Examination)
- English (Examination)
Prerequisites
General Prerequisites
There are no prerequisites.
Learning Outcomes
Upon successful completion of the course the students are expected to:
* identify the artworks of the art movements of the historical avant-garde, based on their special elements (structure, materials, colour, composition, aims)
* understand the concept of the avant-garde in relation to modernism
* look into the multiple ways that the avant-garde movements approached reality and the ways they related themselves to contemporary life
* understand the relation between the art movements of the first half of the 20th c. and their contemporary theoretical approaches and philosophical concepts
* realize how the avant-garde movements break with the art of the past, as well as how they relate to contemporary art
* understand the ways that the artworks relate to the economic and political structures, as well as to the institutions of the period
* develop their critical capacity concerning the ways art has been formulated in relation to the dominant ideological concerns and clashes of the time
General Competences
- Apply knowledge in practice
- Retrieve, analyse and synthesise data and information, with the use of necessary technologies
- Adapt to new situations
- Work autonomously
- Work in teams
- Work in an interdisciplinary team
- Generate new research ideas
- Appreciate diversity and multiculturality
- Respect natural environment
- Demonstrate social, professional and ethical commitment and sensitivity to gender issues
- Be critical and self-critical
- Advance free, creative and causative thinking
Course Content (Syllabus)
This course focuses on the art of the period 1900-1940, and especially on the art trends of the so-called historical avant-garde which introduced radical changes concerning the concept of art and the definition of the artist, also related to structural changes in the institutional context of art. In particular, this course discusses movements such as Fauvism, Expressionism, Cubism, Futurism, Russian Avant-garde, De Stijl, Dada, Metaphysical Painting and Surrealism. These movements are examined in relation to their particular approaches and practices as well as the ways they come to terms with their contemporary reality and intervene in social life. The course is particularly focused on the multiple ways that the subversion of the established art rules and perceptions about the artist have been conceptualised. The aims are:
* the investigation of the discourse of the avant-garde
* the examination of the avant-garde artistic movements in relation to the theoretical discourse and the institutional framework of the period
* the association of these developments with the broader social changes that formed new conditions for the reception, signification and conception of art
Keywords
Avant-garde, art 1900-1940, Fauvism, Expressionism, Cubism, Futurism, Russian Avant-garde, De Stijl, Dada, Metaphysical Painting Surrealism
Educational Material Types
- Notes
- Slide presentations
- Video lectures
- Audio
- Multimedia
- Interactive excersises
- Book
Use of Information and Communication Technologies
Use of ICT
- Use of ICT in Course Teaching
- Use of ICT in Communication with Students
- Use of ICT in Student Assessment
Description
Teaching involves use of computers and systems of projection and sound for power point presentations, video projections and sound reproductions, internet, and the e-learning platform for uploading all relevant educational material (presentations, bibliography, etc.). Communication with the students takes place via email and the e-learning platform.
Course Organization
| Activities | Workload | ECTS | Individual | Teamwork | Erasmus |
|---|---|---|---|---|---|
| Lectures | 30 | 1 | |||
| Reading Assigment | 30 | 1 | |||
| Field trips and participation in conferences / seminars / activities | 10 | 0.3 | |||
| Written assigments | 10 | 0.3 | |||
| Exams | 10 | 0.3 | |||
| Total | 90 | 3 |
Student Assessment
Description
The evaluation of the students involves:
* presence and participation in the lectures (20%)
* presence and participation in the relevant scheduled educational activities (visits to museums, conferences, events, etc.) (15%)
* assignments, presentations, exercises, etc. (15%)
* written or oral exams (50%)
Student Assessment methods
- Written Exam with Multiple Choice Questions (Formative)
- Written Exam with Short Answer Questions (Formative)
- Written Exam with Extended Answer Questions (Summative)
- Written Assignment (Formative, Summative)
- Oral Exams (Summative)
- Performance / Staging (Formative)
Bibliography
Course Bibliography (Eudoxus)
Argan, G. C., Bonito Oliva, A., Η μοντέρνα τέχνη 1770-1970 & Η τέχνη στην καμπή του 21ου αιώνα, πρόλ. Ν. Κεσσανλής, μτφρ. Λ. Παπαδημήτρη, Μ. Σπυριδοπούλου, Ηράκλειο, Πανεπιστημιακές Εκδόσεις Κρήτης (σειρά: Ιστορία της Τέχνης), 2014
Foster Hal, Rosalind Krauss, Yve - Alain Bois, Benjamin H. D. Buchloh, Η τέχνη από το 1900: Μοντερνισμός, αντιμοντερνισμός, μεταμοντερνισμός, μτφρ. Ιουλία Τσολακίδου, επιμ. Μιλτιάδης Παπανικολάου, Θεσσαλονίκη: Επίκεντρο, 2018
Micheli, Mario de, Οι πρωτοπορίες της τέχνης του εικοστού αιώνα, μτφρ. Λένα Παπαματθεάκη, Αθήνα: Οδυσσέας, 1992
Στάγκος, Νίκος (επιμ.), Έννοιες της μοντέρνας τέχνης: Από τον φωβισμό στον μεταμοντερνισμό, (Συλλογικό έργο), μτφρ. Ανδρέας Παππάς, Αθήνα: Μορφωτικό Ίδρυμα Εθνικής Τραπέζης, 2003
Additional bibliography for study
Altshuler, Bruce. The avant-garde in exhibition: new art in the 20th century, New York: Abrams, 1994
Apollinaire, Guillaume. Οι κυβιστές ζωγράφοι: αισθητικοί στοχασμοί, μτφρ. Τώνια Μαρκετάκη, επιμ. Σειράς Δημήτρης Δελιγιάννης, Αθήνα: Νεφέλη, 1983
Arnason, H. Harvard. Ιστορία της σύγχρονης τέχνης : ζωγραφική, γλυπτική, αρχιτεκτονική, φωτογραφία, μτφρ. Φώτης Κοκαβέσης, επιμ. Μιλτιάδης Παπανικολάου, Αθήνα: Παρατηρητής, 1995
Bigsby, C.W.E. Νταντά και Σουρρεαλισμός, σειρά Η Γλώσσα της Κριτικής, μτφρ. Ελένη Μοσχονά, Αθήνα : Ερμής, 1972
Breton, Andre. Τι είναι ο σουρρεαλισμός, μτφρ. Σπύρος Ηλιόπουλος, επιμ. Άρης Μαραγκόπουλος, Αθήνα: Ελεύθερος Τύπος, 1983
Bürger, Peter. «Η πρωτοπορία ως αυτοκριτική της τέχνης στην αστική κοινωνία», στο: Θεωρία της πρωτοπορίας, μτφρ. Γιώργος Σαγκριώτης, επιμ. σειράς Νίκη Λοϊζίδη, Αθήνα: Νεφέλη, 2011
Cabanne, Pierre. Ο Μηχανικός του Χαμένου Χρόνου. Συνεντεύξεις με τον Marcel Duchamp, μτφρ. Λίλιαν Stead-Δασκαλοπούλου, επιμ. Κύριλλος Σαρρής, Αθήνα: Άγρα, 2008
Clark, T. J. Farewell to an idea: episodes from a history of modernism, New Haven: Yale University Press, c1999
Cox, Neil. Κυβισμός, μτφρ. Ιωάννα Βετσοπούλου, Αθήνα: Καστανιώτης, 2003
Δασκαλοθανάσης, Νίκος. Ο καλλιτέχνης ως ιστορικό υποκείμενο από τον 19ο στον 21ό αιώνα, Αθήνα: Άγρα, 2004
Edwards, Steve and Wood, Paul. Art of the avant-gardes, New Haven, Conn.; London: Yale University Press in association with the Open University, 2004
Gale, Matthew. Νταντά & Υπερρεαλισμός, μτφρ. Γιώργος-Ίκαρος Μπαμπασάκης, Αθήνα: Καστανιώτης, 1999
Gordon, Donald E. Expressionism: art and idea, New Haven: Yale University Press, c1987
Gray, Camilla. Η ρώσικη πρωτοπορία: προεπαναστατική και επαναστατική τέχνη στη Ρωσία, 1863-1922, μτφρ. Πέπη Ρηγοπούλου, Αθήνα: Υποδομή, 1987
Hauser, Arnold. Κοινωνική Ιστορία της Τέχνης, μτφρ. Τ. Κονδύλης, τ. Δ΄, Αθήνα, εκδ. Κάλβος, χ.χ.
Kandinsky, Wassily. Για το πνευματικό στην τέχνη, προλ. Δημήτρης Δελιγιάννης, εις. Victor Ieronim Stoichita, μτφρ. Μηνάς Παράσχης, Αθήνα: Νεφέλη, 1981
Καφέτση, Άννα, Κωστάκης, Γεώργιος (επιμ.) Ρωσική πρωτοπορία 1910-1930, η συλλογή Γ. Κωστάκη, Αθήνα: Εθνική Πινακοθήκη και Μουσείο Αλεξάνδρου Σρύτζου, Ευρωπαϊκό Πολιτιστικό Κέντρο Δελφών, 1995
Λοϊζίδη, Νίκη. Ο μοντερνισμός και οι μύθοι του. Δώδεκα μελέτες για τα μοντέρνα καλλιτεχνικά κινήματα, Αθήνα: Νεφέλη, 2013
Λοϊζίδη, Νίκη. Ο Τζιόρτζιο ντε Κίρικο και η σουρεαλιστική επανάσταση: οι μεταφυσικές καταβολές και τα ιδεολογικά αδιέξοδα ενός κινήματος, Αθήνα: Νεφέλη, 1987
Λοϊζίδη, Νίκη. Το κίνημα του σουρεαλισμού και οι καλλιτεχνικές καταβολές του, Αθήνα: Α.Σ.Κ.Τ., 1982
Long, Rose-Carol Washton, Rigby, Ida Katherine, Barron, Stephanie, Roth, Nancy. German expressionism: documents from the end of the Wilhelmine Empire to the rise of national socialism, Berkeley: University of California Press, c1993
Malevich, Kazimir Severinovich. Γραπτά, μτφρ. Δημήτρης Χορόσκελης, Θεσσαλονίκη: Βάνιας, 1992
Marinetti, Filippo Tommaso. Μανιφέστα του φουτουρισμού, μτφρ. Βασίλης Μωυσίδης, Αθήνα: Αιγόκερος, 1987
Overy, Paul. De Stijl, New York, N.Y.: Thames and Hudson, c1991
Πούλος, Παναγιώτης (επιμ.) Έννοιες της Τέχνης τον 20ό αιώνα, Αθήνα: Ανωτάτη Σχολή Καλών Τεχνών, 2006
Richter, Hans. Νταντά: Τέχνη και αντι-τέχνη, μτφρ. Ανδρέας Ρικάκης, Αθήνα: Υποδομή, 1983
Rhodes, Colin. Primitivism and Modern Art, New York: Thames and Hudson, 1994
Sammlung Thyssen-Bornemisza. The European avant-gardes: art in France and Western Europe 1904-1945, London: Wappingers Falls, N.Y.: Zwemmer, 1995
Tisdall, Caroline. Φουτουρισμός, μτφρ. Δημοσθένης Κούρτοβικ, επιμ. Ανδρέας Παππάς, Αθήνα: Υποδομή, c1984
Tzara, Tristan. Μανιφέστα του Ντανταϊσμού, μτφρ. Ανδρέας Κανελλίδης, Αθήνα: Αιγόκερως, 1998
Χαραλαμπίδης, Άλκης. Η Τέχνη του Εικοστού Αιώνα. Ζωγραφική, Πλαστική, Αρχιτεκτονική, Τόμος Ι: 1880-1920, Θεσσαλονίκη: University Studio Press, 1990
Zola, Emil. Κείμενα για την Τέχνη, μτφρ. Μάρθα Χριστοφόγλου, Αθήνα: Printa, 2003
Last Update
18-01-2023
