Course Content (Syllabus)
Since Europe can be all sorts of things — a fortress and a currency zone, a Phoenician princess, an "idea," an economic power, a geopolitical entity, and a network of dark and disturbing stories — its meanings and boundaries must be renegotiated time and again. Literature and art have a central role in this process, whether "European" or "non-European," constantly discussing the oldest myths and the most current collective symbols. This is illustrated in the seminar through novels, essays, films, and installations, all of which take (and inevitably) marginalized and shifted positions towards Europe - from "Dead Europe" by Christos Tsiolkas and "The Emigrants" by Peter Waterhouse to Habermas or Derrida's Europe. In the end, one cannot help but ask the question (as George Steiner also did): Is Europe destined to inhabit the great museum we call history? Or are there still glimmers of hope worth exploring?
Additional bibliography for study
- Assmann, Aleida. Der europäische Traum. Vier Lehren aus der Geschichte. Beck 2020.
- Derrida, Jacques. Das andere Kap / Die vertagte Demokratie. Zwei Essays zu Europa. Suhrkamp, 1992.
- Habermas, Jürgen. Ach, Europa. Suhrkamp, 2008.
- Renger, Almut Barbara. Mythos Europa. Texte von Ovid bis Heiner Müller. Reclam, 2003.
- Renger, Almut Barbara/Ißler, Roland Alexander. "Stier und Sternenkratz. Europa in Mythos und Geschichte. Ein Rundgang."
Europa Stier und Sternenkranz. Von der Union mit Zeus zum Staatenverbund. V & R unipress,/Bonn University Press, 2009, S. 51-99.
- Ugrešic, Dubravka. "Nice People Don’t Mention Such Things." European Journal of Women’s Studies, vol 5. no. 3-4, Nov. 1998, S. 297-310.