COMPARATIVE LITERATURE - EUROPE: FOUNDING, POETRY, FORTRESS - ENHANCEMENT

Course Information
TitleΣΥΓΚΡΙΤΙΚΗ ΓΡΑΜΜΑΤΟΛΟΓΙΑ - ΕΥΡΩΠΗ: ΜΥΘΟΣ, ΠΟΙΗΣΗ, ΟΧΥΡΟ - ΕΜΒΑΘΥΝΣΗ / COMPARATIVE LITERATURE - EUROPE: FOUNDING, POETRY, FORTRESS - ENHANCEMENT
Title in GermanVergleichende Literaturwissenschaft - Europa: Gründung, Dichtung, Festung
CodeΒΚ0313-ΕΜ
FacultyPhilosophy
SchoolGerman Language and Literature
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
CommonYes
StatusActive
Course ID600022669

Programme of Study: PPS Tmīmatos Germanikīs Glṓssas kai Filologías (2020-sīmera)

Registered students: 32
OrientationAttendance TypeSemesterYearECTS
KORMOSEPILEGOMENA EIDIKEUSĪSWinter/Spring-3

Class Information
Academic Year2023 – 2024
Class PeriodSpring
Faculty Instructors
Class ID
600232084
Course Type 2021
Specific Foundation
Mode of Delivery
  • Face to face
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Greek (Examination)
  • German (Instruction, Examination)
  • Αγγλικά
General Competences
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Work autonomously
  • Work in teams
  • Work in an interdisciplinary team
  • Generate new research ideas
  • Appreciate diversity and multiculturality
Course Content (Syllabus)
Since Europe can be all sorts of things — a fortress and a currency zone, a Phoenician princess, an "idea," an economic power, a geopolitical entity, and a network of dark and disturbing stories — its meanings and boundaries must be renegotiated time and again. Literature and art have a central role in this process, whether "European" or "non-European," constantly discussing the oldest myths and the most current collective symbols. This is illustrated in the seminar through novels, essays, films, and installations, all of which take (and inevitably) marginalized and shifted positions towards Europe - from "Dead Europe" by Christos Tsiolkas and "The Emigrants" by Peter Waterhouse to Habermas or Derrida's Europe. In the end, one cannot help but ask the question (as George Steiner also did): Is Europe destined to inhabit the great museum we call history? Or are there still glimmers of hope worth exploring?
Keywords
Europe-discourses / Europe in Literature and Media
Educational Material Types
  • Notes
  • Slide presentations
  • Video lectures
  • Podcast
  • Audio
  • Multimedia
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Seminars
Reading Assigment251
Project251
Written assigments251
Total753
Student Assessment
Student Assessment methods
  • Written Assignment (Formative, Summative)
  • Performance / Staging (Formative, Summative)
  • Report (Formative, Summative)
Bibliography
Additional bibliography for study
- Assmann, Aleida. Der europäische Traum. Vier Lehren aus der Geschichte. Beck 2020. - Derrida, Jacques. Das andere Kap / Die vertagte Demokratie. Zwei Essays zu Europa. Suhrkamp, 1992. - Habermas, Jürgen. Ach, Europa. Suhrkamp, 2008. - Renger, Almut Barbara. Mythos Europa. Texte von Ovid bis Heiner Müller. Reclam, 2003. - Renger, Almut Barbara/Ißler, Roland Alexander. "Stier und Sternenkratz. Europa in Mythos und Geschichte. Ein Rundgang." Europa Stier und Sternenkranz. Von der Union mit Zeus zum Staatenverbund. V & R unipress,/Bonn University Press, 2009, S. 51-99. - Ugrešic, Dubravka. "Nice People Don’t Mention Such Things." European Journal of Women’s Studies, vol 5. no. 3-4, Nov. 1998, S. 297-310.
Last Update
12-02-2024