FILM EDITING VI
| Title | ΜΟΝΤΑΖ VI / FILM EDITING VI |
| Code | 7ΜΟ3 |
| Faculty | Fine Arts |
| School | Film |
| Cycle / Level | 1st / Undergraduate |
| Teaching Period | Winter |
| Coordinator | Ioannis Kolaxizis |
| Common | Yes |
| Status | Active |
| Course ID | 280007592 |
Programme of Study: UPS of School of Film Studies (2009-2013)
Registered students: 99
| Orientation | Attendance Type | Semester | Year | ECTS |
|---|---|---|---|---|
| Core | Elective Courses beloging to the selected specialization | 7 | 4 | 6 |
| Academic Year | 2023 – 2024 |
| Class Period | Winter |
| Faculty Instructors | |
| Instructors from Other Categories | |
| Weekly Hours | 4 |
| Class ID | 600241014
|
Course Type 2016-2020
- Scientific Area
Course Type 2011-2015
Knowledge Deepening / Consolidation
Mode of Delivery
- Face to face
Digital Course Content
- e-Study Guide https://qa.auth.gr/en/class/1/600241014
- eLearning: www.amg-net.gr/animation_kolaxizis/
- Other: http://www.amg-net.gr/gkolaxizis/
Language of Instruction
- Greek (Instruction, Examination)
Prerequisites
Required Courses
- 1ΜΟ1 FILM EDITING I
- 3ΜΟ2 FILM EDITING II
- 4ΜΟ2 FILM EDITING III
Learning Outcomes
1) be able to perceive and critically approach the film editing of landmarks of Japanese cinema
2) be able to perceive the creation of aesthetics with the editing of film cinema landmarks of Japanese cinema
3) to be able to propose script rearrangements with the Cinema Editing tool with reference to the film editing of landmarks of Japanese cinema
4) to prepare filmed material for various screenings.
5) to develop the aesthetics for the creation of cinematic compositions.
General Competences
- Apply knowledge in practice
- Retrieve, analyse and synthesise data and information, with the use of necessary technologies
- Adapt to new situations
- Make decisions
- Work autonomously
- Work in an international context
- Work in an interdisciplinary team
- Generate new research ideas
- Advance free, creative and causative thinking
Course Content (Syllabus)
The landmarks of Japanese cinema are rich sources of aesthetics for cinematic creation always based on cinema editing. The research and application of the principles of visual composition of timeless Japanese cinema by many of its famous creators is a basic approach to montage approaches and contemporary cinematic creations.
Keywords
Editing, aesthetic approaches
Educational Material Types
- Notes
- Slide presentations
- Multimedia
- Book
Use of Information and Communication Technologies
Use of ICT
- Use of ICT in Course Teaching
Course Organization
| Activities | Workload | ECTS | Individual | Teamwork | Erasmus |
|---|---|---|---|---|---|
| Lectures | 52 | 1.7 | ✓ | ||
| Laboratory Work | 28 | 0.9 | ✓ | ||
| Reading Assigment | 20 | 0.7 | ✓ | ||
| Project | 25 | 0.8 | ✓ | ||
| Artistic creation | 25 | 0.8 | |||
| Total | 150 | 5 |
Student Assessment
Description
INDIVIDUAL PROJECT
Student Assessment methods
- Written Exam with Multiple Choice Questions (Formative, Summative)
- Written Exam with Short Answer Questions (Formative, Summative)
- Written Assignment (Formative, Summative)
- Labortatory Assignment (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
1.Αρνχάιμ Ρούντολφ, Το φιλμ ως τέχνη. Μεταφρ. ΜωραϊτηςΜάκης. Καθρέπτης, 2008. ISBN 978-960-8186-18-7.
2.Jacobs, Lewis. Τα εκφραστικά μέσα του κινηματογράφου. Μεταφρ. Στεφανία Ρουμπή, Επιμέλεια: Μάκης Μωραΐτης. Καθρέπτης, Αθήνα2006.
3.Συλλογικό έργο. ADOBE AFTER EFFECTS CS,4 Classroom in a book. Μεταφρ. Γκλάβα Μαρία. Γκιούδρας 2009. ISBN 978-960-512-580-6.
Last Update
02-05-2024
