Neoclassicism – Romanticism

Course Information
TitleΝΕΟΚΛΑΣΙΚΙΣΜΟΣ – ΡΟΜΑΝΤΙΣΜΟΣ / Neoclassicism – Romanticism
CodeΑΙΤ255
FacultyPhilosophy
SchoolHistory and Archaeology
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
Coordinator(eid. epistīmonas)
CommonYes
StatusActive
Course ID600021613

Programme of Study: PPS Tmīmatos Istorías kai Archaiologías 2020-2021

Registered students: 35
OrientationAttendance TypeSemesterYearECTS
KORMOSElective Courses belonging to the selected specialization746

Class Information
Academic Year2025 – 2026
Class PeriodWinter
Faculty Instructors
Weekly Hours3
Total Hours39
Class ID
600278635
Course Type 2021
Specialization / Direction
Mode of Delivery
  • Face to face
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Greek (Instruction, Examination)
Learning Outcomes
Upon completing the course, students are expected to know the men and women artists of Neoclassicism and Romanticism and be competent to discuss representative works of theirs; also, to be able to identify the special features of each trend and point out differences and affinities between them; finally, to have realized the correlation of artistic phenomena with various contemporary factors, cultural, ideological, social and political.
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Work autonomously
  • Work in an international context
  • Work in an interdisciplinary team
  • Appreciate diversity and multiculturality
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
The course examines the art of Neoclassicism and Romanticism. More specifically, we analyze works of painting, sculpture, architecture and the applied arts of the period 1750-1850 that are part of the particular trends, and discuss their historical context. Special emphasis is put on the relation of artistic production to the ideology and the politics of the time, as well as to matters of class, gender, race and nation. Moreover, we explore the conditions under which men and women artists from Europe and the USA create and circulate their works: issues addressed include artists’ workshops, the role of the Academy, the stay in Rome, art exhibitions and the public of art, the clients and the market, the discourse on art.
Keywords
Classicism, Romanticism, Enlightenment, gender, race, nation
Educational Material Types
  • Slide presentations
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Communication with Students
Description
Powerpoint presentations, use of e-learning platform.
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures802.7
Seminars802.7
Exams200.7
Total1806
Student Assessment
Student Assessment methods
  • Written Exam with Extended Answer Questions (Summative)
Bibliography
Course Bibliography (Eudoxus)
1) Άισενμαν Φ. Στίβεν, Κρόου Τόμας, Λούκασερ Μπράιαν, Νόκλιν Λίντα, Φίλιπς Λ. Ντέιβιντ, Πολ Κ. Φράνσες, Η τέχνη του δέκατου ένατου αιώνα. Μια κριτική ιστορία, Θεσσαλονίκη: Επίκεντρο, 2021. 2) Χαραλαμπίδης Α., Η Τέχνη του 19ου Αιώνα. Αρχιτεκτονική-Γλυπτική-Ζωγραφική. Θεσσαλονίκη: University Studio Press, 2022.
Additional bibliography for study
Στα ελληνικά: 1) Φρέντερικ Άνταλ, "Σκέψεις για τον κλασικισμό και τον ρομαντισμό", στο Φρέντερικ Άνταλ, Μελέτες Ιστορίας της Τέχνης, Ηράκλειο: Πανεπιστημιακές Εκδόσεις Κρήτης, 1999, σ. 153-222. 2) Νταίηβιντ Έργουιν, Νεοκλασικισμός, Αθήνα: Καστανιώτης, 1999. 3) Ντέιβιντ Μπλέινυ Μπράουν, Ρομαντισμός, Αθήνα: Καστανιώτης, 2004. 4) Τιτίνα Κορνέζου, Οι κανόνες της τέχνης και η μαγεία της ζωγραφικής. Καλλιτεχνικοί θεσμοί στη Γαλλία, 17ος-18ος αιώνας, Αθήνα: Gutenberg, 2020. 5) Οι Μεγάλοι Ζωγράφοι, τόμοι 3-4, Αθήνα: Μέλισσα, 1977. 6) Linda Nochlin, «Γυναίκες, Τέχνη και Εξουσία», Δίνη, φεμινιστικό περιοδικό 5 (Ιούνιος 1990), σ. 78-93. 7) Ζωρζ Πεγέ, Η ζωγραφική στον 19ο αιώνα, Αθήνα: Νεφέλη, 1984. 8) Συλλογικό, Νεοκλασικισμός και ρομαντισμός. Αρχιτεκτονική-γλυπτική-ζωγραφική-σχέδιο 1750-1848, Αθήνα: Ελευθερουδάκης, 2008. Ξενόγλωσση: 1) Whitney Chadwick, Women, Art, and Society, London: Thames and Hudson, 1990. 2) Petra ten-Doesschate Chu, Nineteenth-Century European Art, Pearson Prentice Hall, 2006. 3) Matthew Craske, Art in Europe. 1700-1830, Οξφόρδη-Νέα Υόρκη: Oxford University Press, 1997. 4) Thomas Crow, Painters and Public Life in Eighteenth-Century Paris, Νιου Χέιβεν-Λονδίνο: Yale University Press, 1985. 5) Stephen Eisenman, Nineteenth Century Art. A Critical History, Λονδίνο: Thames and Hudson, 1994. 6) Michelle Facos, An Introduction to Nineteenth-Century Art, Νέα Υόρκη-Λονδίνο: Routledge, 2011. 7) Robert Rosenblum, Transformations in Late Eighteenth Century Art, Πρίνστον: Princeton University Press, 1967. 8) Abigail Solomon-Godeau, Male Trouble: A Crisis in Representation, Λονδίνο: Thames and Hudson, 1997.
Last Update
26-09-2025