AUTHORS: BERTOLT BRECHT

Course Information
TitleΛΟΓ: ΣΥΓΓΡΑΦΕΑΣ: BERTOLT BRECHT / AUTHORS: BERTOLT BRECHT
Title in GermanAutor: Bertolt Brecht
CodeΒΚ0096
FacultyPhilosophy
SchoolGerman Language and Literature
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
CommonYes
StatusActive
Course ID280006508

Programme of Study: PPS Tmīmatos Germanikīs Glṓssas kai Filologías (2020-sīmera)

Registered students: 41
OrientationAttendance TypeSemesterYearECTS
KORMOSEPILEGOMENA EIDIKEUSĪSSpring-6

Class Information
Academic Year2025 – 2026
Class PeriodSpring
Faculty Instructors
Weekly Hours3
Total Hours39
Class ID
600279696
Course Type 2021
Specialization / Direction
Course Type 2016-2020
  • Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • German (Instruction, Examination)
Learning Outcomes
Students learn (1) how to cooperate and participate regularly and actively, (2) how to present a literary subject orally and (3) how to write a paper. This way they become acquainted with (1) multiple methods of text analysis and interpretation, (2) the scientific handling of bibliography/ secondary literature and (3) their own production of scientific texts. The language of the course is german, which additionally helps the students improve their language competence.
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Work in an international context
  • Work in an interdisciplinary team
  • Design and manage projects
  • Appreciate diversity and multiculturality
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
In this seminar, we will focus on the life and significant work of German writer Bertolt Brecht, whose oeuvre can be divided into different creative phases. Although Brecht's literary work includes both poetry and prose, our focus will be on his epic theatre, which made a fundamental contribution to 20th-century theatre practice and theory. During the seminar, we will analyse four selected works in depth, which are exemplary of Brecht's epic theatre and address central social issues: • The Good Person of Szechwan: A parable about morality and survival in a world that does not reward kindness. • The Life of Galileo: A drama about the scientist's responsibility to truth and power. • Mother Courage and Her Children: A critical portrayal of war as a business model and cause of personal loss. • The Caucasian Chalk Circle: A story about justice, motherhood and social responsibility. Through the analysis of these works, we will examine central elements of epic theatre – including alienation effects, narrative structure, and the use of music and commentary – that serve Brecht's goal of encouraging audiences to engage in critical reflection and social awareness.
Keywords
Bertolt Brecht, poems, prosa, epic theater
Educational Material Types
  • Slide presentations
  • Multimedia
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Communication with Students
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures
Seminars
Fieldwork
Reading Assigment
Written assigments
Total
Student Assessment
Description
Grading is based on active participation in the seminar, a presentation and a written exam (test).
Student Assessment methods
  • Written Exam with Short Answer Questions (Summative)
  • Performance / Staging (Formative)
Bibliography
Additional bibliography for study
Brecht, Bertolt 2002: Der gute Mensch von Sezuan. Berlin: Suhrkamp. Brecht, Bertolt 2002: Der kaukasische Kreidekreis. Berlin: Suhrkamp. Brecht, Bertolt 1980: Mutter Courage und ihre Kinder. Berlin: Suhrkamp. Brecht, Bertolt 2003: Leben des Galilei. Berlin: Suhrkamp. Biermann, Heinrich u. Schurf, Bernd (Hg.) 2006: Texte, Themen und Strukturen. Deutschbuch für die Oberstufe. Berlin: Cornelsen. Geißler, Rolf 1970: Zur Interpretation des modernen Dramas: Brecht, Dürrenmatt, Frisch. Frankfurt am Main, Berlin, München: Diesterweg Giese, Peter Christian 1974: Das „Gesellschaftlich-Komische“. Zur Komik und Komödie am Beispiel der Stücke und Bearbeitungen Brechts. Stuttgart: Metzler. Hecht, Werner (Hg.) 1986: Brechts Theorie des Theaters. Frankfurt am Main: Suhrkamp. Hinderer, Walter (Hg.) 2004: Interpretationen. Brechts Dramen. Stuttgart: Reclam. Jendreiek, Helmut 19..: Bertolt Brecht. Drama der Veränderung. Düsseldorf: August Bagel Verlag. Klotz, Volker 1985: Geschlossene und offene Form im Drama. München: Carl Hanser Verlag. Klotz, Volker 1996: Bertolt Brecht. Versuch über das Werk. Würzburg: Könighausen und Neumann. Knobloch, Hans-Jörg u. Koopmann, Helmut (Hg.) 1998: Hundert Jahre Brecht – Brechts Jahrhundert? Tübingen: Stauffenburg. Knopf, Jan 1996: Brecht-Handbuch: eine Ästhetik der Widersprüche. Stuttgart: Metzler. Μαράκα, Λίλα 2005: Θέατρο και Δράμα. Μελετήματα για την γερμανόφωνη δραματολογία. Αθήνα: ΠΟΛΥΤΡΟΠΟΝ. Mayer, Hans 1996: Brecht. Frankfurt am Main: Suhrkamp. Mitschke, Maria 1990: Drama. Bertolt Brecht. Das epische Theater. Puchheim: pb-verlag. SCRIPT Biermann, Heinrich u. Schurf, Bernd (Hg.) 2006: Texte, Themen und Strukturen. Deutschbuch für die Oberstufe. Berlin: Cornelsen. (Seiten: 52-64 und 164-173) Hecht, Werner (Hg.) 1986: Brechts Theorie des Theaters. Frankfurt am Main: Suhrkamp. (Seiten: 337-363) Mitschke, Maria 1990: Drama. Bertolt Brecht. Das epische Theater. Puchheim: pb-verlag. (Seite: 29)
Last Update
29-10-2025