Learning Outcomes
By the end of this course, students: a. will be acquainted with the key formal, philosophical and ideological questions that relate to the representation of history on the screen, and b. will be able to analyse and contextualize any filmic text that portrays historical events and personalities.
Course Content (Syllabus)
This course will discuss the representation of history in the cinema, bringing together theories and concepts from written historiography and film theory. It will overview the trajectories of historical studies and film studies as two disciplines, which share several formal, aesthetic, ideological and institutional elements and it will address the historical work, whether on paper or on film, as a cultural artifact that produces both knowledge and power at any given society.
Additional bibliography for study
Thanouli, Eleftheria. History and Film: A Tale of Two Disciplines. New York: Bloomsbury, 2018.
Rosenstone, Robert. History on film/film on history. New York: Routledge, 2014.
Stubbs, Jonathan. The Historical Film: A Critical Introduction. New York: Bloomsbury, 2013.
Burgoyne, Robert. The Hollywood historical film. Malden: Wiley-Blackwell, 2008.