ACTING V

Course Information
TitleΥΠΟΚΡΙΤΙΚΗ V / ACTING V
CodeΥΑ0283
FacultyFine Arts
SchoolDrama
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
CoordinatorThomas Moschopoulos
CommonNo
StatusActive
Course ID120000881

Programme of Study: PPS Tmīmatos THeátrou (2019-sīmera)

Registered students: 0
OrientationAttendance TypeSemesterYearECTS
Dramatología-ParastasiologíaElective Course belonging to the selected specialization (Elective Specialization Course)535
YpokritikīCompulsory Course belonging to the selected specialization (Compulsory Specialization Course)535
Skīnografía-EndymatologíaElective Course belonging to the selected specialization (Elective Specialization Course)635
SkīnothesíaElective Course belonging to the selected specialization (Elective Specialization Course)635

Class Information
Academic Year2013 – 2014
Class PeriodWinter
Faculty Instructors
Weekly Hours3
Class ID
120008018
Course Type 2016-2020
  • Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
Language of Instruction
  • Greek (Instruction, Examination)
Prerequisites
Required Courses
  • ΥΣ0101 INTRODUCTION TO ACTING
  • ΥΑ0279 ACTING I
General Competences
  • Apply knowledge in practice
  • Adapt to new situations
  • Work autonomously
  • Work in teams
  • Appreciate diversity and multiculturality
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
Course Content (Syllabus)
Having as a starting point the book ‘Common speech’ (by Elli Papapdimitriou) , students will try to get familiar with narrative technique. The book is about folk narratives, meaning oral testimonies, that Elli Papadimitriou gathered. The stories refer to a period of 60 years. For the course’s needs there have been chosen texts which refer to the period 1914-1922. In this "artless" language, which however is governed by secret artistic rules, one can find all those elements that define the narrator and his techniques. The actor is asked to discover these elements, find the reasons for their existence and finally reproduce them, with his own way. He needs to ‘cover’ the required distance between present and each story and find the rythmology needed so as to keep audience / listeners interest alive. He needs to comprehend the meaning and the use of ‘pause’. Above all, he has to dedramatize his acting, without losing the quality of emotions that each story requires.
Educational Material Types
  • Slide presentations
  • Audio
  • Interactive excersises
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Artistic Workshop
Total
Student Assessment
Description
Apart from the mandatory physical presence, primary consideration is the availability of the student and more specifically: his/her preparedness, practice on accuracy, exercise of imagination, evolution of the hypocritical skills. At the end of the semester there will be a public presentation.
Student Assessment methods
  • Performance / Staging (Summative)
  • Artistic Performance (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
Επιλογή Συγγραμμάτων Βιβλίο [12654]: ΑΛΛΑΖΟΝΤΑΣ ΤΟΥΣ ΠΑΛΜΟΥΣ ΤΗΣ ΚΑΡΔΙΑΣ, Κάτια Γέρου Επιλογή Συγγραμμάτων Βιβλίο [24022]: Για τον ηθοποιό, Chekhov Michael Επιλογή Συγγραμμάτων Βιβλίο [21918]: Προς τον ηθοποιό, Mamet David
Additional bibliography for study
Εφημερίδες και περιοδικός τύπος Ντοκυμαντέρ
Last Update
18-11-2013