SPECIAL TOPICS OF WORLD THEATRE: CONTEMPORARY GERMAN THEATRE

Course Information
TitleΕΙΔΙΚΑ ΖΗΤΗΜΑΤΑ ΠΑΓΚΟΣΜΙΟΥ ΘΕΑΤΡΟΥ: ΣΥΓΧΡΟΝΟ ΓΕΡΜΑΝΟΦΩΝΟ ΘΕΑΤΡΟ / SPECIAL TOPICS OF WORLD THEATRE: CONTEMPORARY GERMAN THEATRE
CodeΣΤ0619
FacultyFine Arts
SchoolDrama
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
CoordinatorZafeirios Nikitas
CommonYes
StatusActive
Course ID120001074

Programme of Study: PPS Tmīmatos THeátrou (2019-sīmera)

Registered students: 0
OrientationAttendance TypeSemesterYearECTS
Dramatología-ParastasiologíaElective Course belonging to the selected specialization (Elective Specialization Course)745
YpokritikīElective Course belonging to the selected specialization (Elective Specialization Course)745
Skīnografía-EndymatologíaElective Course belonging to the selected specialization (Elective Specialization Course)745
SkīnothesíaElective Course belonging to the selected specialization (Elective Specialization Course)745

Class Information
Academic Year2015 – 2016
Class PeriodSpring
Faculty Instructors
Weekly Hours3
Class ID
600029026
Course Type 2016-2020
  • Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
Erasmus
The course is also offered to exchange programme students.
Language of Instruction
  • Greek (Instruction, Examination)
  • English (Examination)
Learning Outcomes
Students expand their knowledge and study in depth important plays of German and German speaking theatre. At the same time, they integrate these plays in the social-historical circumstances of that time acquiring an overall overview of the dramaturgy of this period.
General Competences
  • Apply knowledge in practice
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Work in an international context
  • Work in an interdisciplinary team
  • Generate new research ideas
  • Appreciate diversity and multiculturality
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
A) THEATRE AS AN OBSERVER OF THE SOCIETY * Tales from the Vienna Wood (1931), Kasimir and Karoline (1932), Faith, Hope and Charity (1932), The Visit (1956) B) THE FORMATION OF EUROPEAN MODERNISM * Marat/Sade (1963) C) THEATRE EXPERIMENTATION * Offending the Audience (1956), Kaspar (1968), Big and Small (1978).
Keywords
German, Austrian, Theater, Literature
Educational Material Types
  • Notes
  • Multimedia
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Communication with Students
Description
The course focuses on German and German speaking theatre and studies some important writers (Horvath, Dürrenmatt, Weiss, Handke, Strauss etc.) who form, each one in his own style and way, the theatre landscape of German speaking post war scene. At the same time we study the social-historical context and its role in the formation of the circumstances that favor the development of a political theatre par excellence.
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures
Reading Assigment
Written assigments
Exams
Total
Student Assessment
Description
Oral Examination (obligatory): Students must present, individually or in small groups, one of the plays selected in this course. In this short presentation students must elaborate on a subject of the play (thematic, stylistic/dramaturgy, performative) (30%) Written Examination (obligatory): Students must answer to two groups of questions: 1) Recognition and comment of an excerpt of a play analyzed and discussed during the course (40%). 2) Analyze of the form and the content of a specific play (30%). The first group of questions is compulsory, in the second group students can make a choice.
Student Assessment methods
  • Written Exam with Extended Answer Questions (Summative)
  • Written Assignment (Formative)
Bibliography
Course Bibliography (Eudoxus)
1. Έντεν φον Χόρβατ, Ιστορίες από το δάσος της Βιέννης, μτφ. Γιώργος Δεπάστας, εκδ. Νεφέλη, Αθήνα 2008. 2. Έντεν φον Χόρβατ, Καζιμίρ και Καρολίνα, μτφ. Σωτηρία Μαντζίρη, εκδ. Γνώση, Αθήνα 1982. 3. Έντεν φον Χόρβατ, Πίστη, αγάπη, ελπίδα, μτφ. Σουζάνα Ιωαννίδου, εκδ. University Studio Press, Θεσσαλονίκη 2008. 4. Φρήντριχ Ντύρενματ, Η επίσκεψη της γηραιάς κυρίας, μτφ. Ηώ Αμανάκη, εκδ. Δωδώνη, Αθήνα. 5. Πέτερ Βάις, Μαρά/Σαντ, μτφ. Μάριος Πλωρίτης, εκδ. Δωδώνη, Αθήνα 1977. 6. Πέτερ Χάντκε, Βρίζοντας το κοινό, μτφ. Μαρία-Λουίζα Κωνσταντινίδη, εκδ. Ρόμβος. 7. Πέτερ Χάντκε, Κασπάρ, μτφ. Νίκη Άïντενάιερ, εκδ. Δωδώνη, Αθήνα. 8. Μπότο Στράους, Το μικρό και το μεγάλο (στο έργο Ένα ατέρμονο κυριακάτικο απόγευμα), μτφ. Μάκης Λαχανάς, εκδ. Έψιλον, Αθήνα 1992.
Additional bibliography for study
Bance Alan, “Odon von Horvath: Sex, politics and sexual politics”, στο German Life and Letters, Vol. 38 (3), 1985, pp. 249-259. Best Otto, Peter Weiss. Criticism And Interpretation, F. Ungar Pub. Co., New York 1976. Ingo Roland Stoehr, German Literature of the twentieth century: from aestheticism to postmodernism, Camden House, Rochester, New York 2001. Fuchs Anne, Phantoms of war in contemporary German literature, films and discourse: the politics of memory, Pilgrave MacMillan, Basingstoke 2008. Hill Linda, “Obscurantism and Verbal Resistance in Handke’s Kasper”, στο The Germanic Review: Literature, Culture, Theory, Vol. 52 (4), 1977, pp. 304-315. Taeni Rainer, “On thin Ice: Peter Handke’s Studies in Alienation”, στο Meanjin, Oct. 1977, Vol. 36 (3), pp. 315-325. Wodak Ruth, “Tales from the Vienna woods: Sociolinguistic and psycholinguistic considerations of narrative analysis”, in Poetics, vol. 15 (1), 1986, pp. 153-182.
Last Update
26-02-2017