Learning Outcomes
•Understanding of the social, political, and theatrical conditions in which the Shakespearean plays were produced; understanding of the Renaissance & τηε early modern age through the plays
•Ability of students to read the Shakespearean texts in their original language and to interpret them critically
•Ability of students to think comparatively, that is, to relate the plays to the period of the Renaissance and to our times
Course Content (Syllabus)
This course studies a number of Shakespeare plays in relation to the genre they belong to, the theatrical conventions they employ, and the themes they deal with. The texts of the Shakespearean plays are analyzed not as static entities but in a dialogue with the era that produced them and with ours that consumes them. Thus close textual analyses will be supplemented by extensive references to significant theatrical productions and cinematic interpretations. Specific films will be viewed in accordance with the themes to be explored in the course.
Description
Student performance is evaluated on the basis of written exams, papers, and oral presentations, which include: (1) brief, take-home assignments on specifice questions, (2) in-class oral presentations on some aspect of the course, and (3) a comprehensive, essay-type exam at the end of the semester. Also, students are given the opportunity to write (optionally) a research paper on an approved topic. However, in no case can the research paper option become a substitute for the final exam, which the student must pass if the research paper is to be counted in the final grade. It is noted that the take-home assignments and participation of students in class discussions play an advisory role (i.e., they help the instructor to form an opinion about the student’s abilities), whereas the class presentations, the final exam, and the research paper (if written) play a definitive as well as advisory role in the student’s final grade.
The criteria of evaluation include the following:
• Correct (idiomatic) use of the English language
• Organization of thought
• Understanding of the basic ideas explored in the course
• Critical thought and synthetic ability
• Originality
• Maturity and sophistication of thought
• Comprehensive coverage of the course material
• Effectiveness of communication with an audience (esp. on oral presentation)
The above criteria and means of assessment are explained to students at the beginning of the semester and are also posted on the Department's website under the Course Description.
Additional bibliography for study
Crystal, David. ‘Think on my Words’: Exploring Shakespeare’s Language. PR 3072. C79 2008.
De Grazia, Margreta, Wells, Stanley W., eds. The Cambridge Companion to Shakespeare. Cambridge University Press, 2001. PR2894.C33
Dobson, Michael and Stanley W. Wells, eds. The Oxford Companion to Shakespeare. Blackwell Publishing, 2003. PR2892.O94
Dollimore, Jonathan & Alan Sinfield. Political Shakespeare. PR 2976.P644
Jackson, Russell. The Cambridge Companion to Shakespeare on Film. Cambridge University Press, 2000. PR3093.C36
Κrontiris, Tina. Women and/in the Renaissance. Thessaloniki: University Studio Press, 2000.
Κροντήρη, Τίνα. Ο Σαίξπηρ, η Αναγέννηση κι Εμείς. Θεσσαλονίκη: University Studio Press, 2002.
McDonald, Russ. The Bedford Companion to Shakespeare. Bedford, 2001.
Sinfield, Alan. Macbeth: William Shakespeare. London: Macmillan, 1992. PR2823.M237
Smith, Emma. The Cambridge Ιntroduction to Shakespeare. Cambridge University Press, 2007.
Tennenhouse, Leonard. Power on Display: The Politics of Shakespeare’s Genres. PR 3017.T45 1986