Course Information
FacultyFine Arts
Cycle / Level1st / Undergraduate
Teaching PeriodSpring
CoordinatorDimitrios Koutsiampasakos
Course ID280007541

Programme of Study: UPS of School of Film Studies (2009-2013)

Registered students: 138
OrientationAttendance TypeSemesterYearECTS
CoreCompulsory Course4210

Class Information
Academic Year2018 – 2019
Class PeriodSpring
Faculty Instructors
Weekly Hours6
Total Hours78
Class ID
Course Type 2016-2020
  • Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
The course is also offered to exchange programme students.
Language of Instruction
  • Greek (Instruction, Examination)
Learning Outcomes
Upon successful completion of the module, students will be able to organize the action of a scene with actors, determine the style of the coverage, to cover the scene and to use floor plans.
General Competences
  • Apply knowledge in practice
  • Retrieve, analyse and synthesise data and information, with the use of necessary technologies
  • Adapt to new situations
  • Make decisions
  • Work autonomously
  • Work in teams
  • Work in an international context
  • Generate new research ideas
  • Design and manage projects
  • Appreciate diversity and multiculturality
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Course Content (Syllabus)
Identifying the genre and style of the film. Organizing the action of a scene in location. The function of a scene in the script and its significance. Coverage and point of view of a scene. Basic patterns for dialogue scenes. Rehearsals. The shooting.
Genre and film style, P.O.V, Dialogue scenes, Rehearsals, film acting
Educational Material Types
  • Notes
  • Slide presentations
  • Video lectures
  • Podcast
  • Audio
  • Multimedia
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Laboratory Teaching
  • Use of ICT in Communication with Students
  • Use of ICT in Student Assessment
Use fo powerpoint, projector, videocamera, Sound recording equipment Assesment via computer Use of simulations Contact via online forum
Course Organization
Laboratory Work130.4
Artistic Workshop180.6
Artistic creation802.7
Student Assessment
Student assessments Two written assignments should be handled each semester regarding the construction of a film scene in accordance with the film genre and the acting technique. First assignment: Written analysis of a film scene. The text should include: The film genre, the theme, the controling idea and the acting technique of the film in process. Director group approaching regarding the film processing including: 1.Scene in screenplay 2.Basic characteristics as film genre and acting style 3.Scene analysis according to acting technique Second assignment Presentation of the first assignment as acting rehearsal The two essays are worth 40% on the final grade. Exams The Film Director Group, after accomplished the desired result through intensive rehearsals, will shoot the selected film scene. Finally the film director group should film its work experience evaluation and deliver together with the filmed scene. This coursework worth 60% on final grade should be handled on exam day in digital form (MP4 archive). The plot and the shooting list of the scene should be included.
Student Assessment methods
  • Written Assignment (Formative)
  • Labortatory Assignment (Formative)
  • Artistic Performance (Formative)
Course Bibliography (Eudoxus)
Bordwell David- Thompson Kristin. Εισαγωγή στην Τέχνη του Κινηματογράφου, μτφρ. Κατερίνα Κοκκινίδη, εκδ. Μ.Ι.Ε.Τ. 2004 Η πολιτική των δημιουργών, Συλλογικό έργο, μτφ. Μαρία Μπαλάσκα, εκδ. Αλεξάνδρεια 1989. Aumont J., Κινηματογράφος και σκηνοθεσία, μτφρ, Κουτάλου Μαρία, εκδ. Πατάκη 2009 Jacobs Lewis, Τα εκφραστικά μέσα του κινηματογράφου, μτφρ. Στεφανία Ρουμπή, εκδ. Καθρέφτης 2006 Tirard Laurent, Master class- Μαθήματα σκηνοθεσίας από τους σημαντικότερους σύγχρονους κινηματογραφιστές μτφρ. Τσέγκου Αλκυόνη- εκδ. Πατάκη 2013 Siety Emmanuel, Το πλάνο, μτφρ. Σωτήρης Καρκανιάς, εκδ. Πατάκη 2003. Landau Camile – White, Tiare, 161 Μυστικά για ένα νέο κινηματογραφιστή, μτφρ. Κατερίνα Κακλαμάνη, εκδ. Πατάκη 2008.
Additional bibliography for study
Ανάλογα με το περιεχόμενο κάθε άσκησης ντεκουπάζ, μπορεί να δοθεί πρόσθετη βιβλιογραφία που αφορά στο ντεκουπάζ των ταινιών ενός συγκεκριμένου είδους.
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