Course Information
FacultyFine Arts
Cycle / Level1st / Undergraduate
Teaching PeriodWinter/Spring
CoordinatorZafeirios Nikitas
Course ID120000492

Programme of Study: PPS Tmīmatos THeátrou (2019-sīmera)

Registered students: 0
OrientationAttendance TypeSemesterYearECTS
Dramatología-ParastasiologíaElective Course belonging to the selected specialization (Elective Specialization Course)635
YpokritikīElective Course belonging to the selected specialization (Elective Specialization Course)635
Skīnografía-EndymatologíaElective Course belonging to the selected specialization (Elective Specialization Course)635
SkīnothesíaCompulsory Course belonging to the selected specialization (Compulsory Specialization Course)635

Class Information
Academic Year2017 – 2018
Class PeriodSpring
Instructors from Other Categories
  • Alexandros Efkleidis
Weekly Hours3
Class ID
Course Type 2016-2020
  • Background
  • General Knowledge
Course Type 2011-2015
General Foundation
Mode of Delivery
  • Face to face
Digital Course Content
Language of Instruction
  • Greek (Instruction, Examination)
General Competences
  • Make decisions
  • Generate new research ideas
  • Appreciate diversity and multiculturality
  • Respect natural environment
  • Demonstrate social, professional and ethical commitment and sensitivity to gender issues
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
Course Organization
Reading Assigment31.51.3
Student Assessment
Student Assessment methods
  • Written Exam with Short Answer Questions (Summative)
  • Written Exam with Extended Answer Questions (Summative)
Course Bibliography (Eudoxus)
Toby Cole & Helen Krich Chinoy (Eds.), Directors on Directing; A Source Book of the Modern Theater, Macmillan Publishing Company, New York, 1976. Παύλος Mάτεσης (επιμ.), Aρχιτέκτονες του σύγχρονου θεάτρου, μετ. Λίζα Mαντζοπούλου, Δωδώνη, Aθήνα, χ.χ. Jean-Francois Dusigne (επιμ.), Από το θέατρο τέχνης στην τέχνη του θεάτρου ανθολογία θεμελιακών κειμένων του 20ού αιώνα, επιλογή και απόδοση Μάγια Λυμπεροπούλου, ΔΗ.ΠΕ.ΘΕ. Πάτρας, Πάτρα, 2002. Denis Bablet, Ιστορία σύγχρονης σκηνοθεσίας. 1ος τόμος: 1887-1914, μετ. Δαμιανός Κωνσταντινίδης, University Studio Press, Θεσσαλονίκη, 2008. Jacqueline Jomaron, Ιστορία σύγχρονης σκηνοθεσίας. 2ος τόμος: 1914-1940, μετ. Δαμιανός Κωνσταντινίδης, University Studio Press, Θεσσαλονίκη, 2009. Samuel L. Leiter, The Great Stage Directors; 100 Distinguished Careers of the Theater, Facts on File, New York, 1994. Shomit Mitter & Maria Shevtsova (Eds.), Fifty Key Theatre Directors, Routledge, London & New York, 2005. Αντώνης Γλυτζουρής, Η σκηνοθετική τέχνη στην Ελλάδα, Πανεπιστημιακές Εκδόσεις Κρήτης, Ηράκλειο, 2011 (πρώτη έκδοση: Ελληνικά Γράμματα 2001).
Additional bibliography for study
Marvin Carlson, Goethe and the Weimar Theatre, New York & London, 1978. Dieter Borchmeyer, Richard Wagner; Theory and Theatre, transl. by Stewart Spencer, Oxford University Press, 1991. Steven DeHart, The Meininger Theater 1776-1926, UMI Research Press, Michigan, ²1981. Max Grube, Geschichte der Meininger, Stuttgart, Berlin, Leipzig, 1926 [The Story of the Meininger, transl. A. M. Koller, University of Miami Press, Florida, 1970]. Ann Marie Koller, Georg II of Saxe-Meiningen and the German Stage, Stanford University Press, California, 1984. Jean Chothia, André Antoine, Cambridge University Press, Cambridge, 1991. John Henderson, The First Avant-Garde (1887-1894); Sources of the Modern French Theater, George G. Harrap & CO. LTD, London, 1971. Claus Horst, The Theatre Director Otto Brahm, UMI Research Press, Michigan, ²1981. Bettina Knapp, The Reign of the Theatrical Director in French Theater: 1887-1924, Whitston Publication Company, N.Y., 1988. J. L. Styan, Modern Drama in Theory and Practice vol. 1-3 Jean Benedetti, Stanislavsky: An Introduction, Routledge, London & NY, 2004 (¹1982) Jean Benedetti, The Moscow Art Theatre Letters, Routledge, London & NY, 1991 Claudine Amiard Chevrel, Le Théâtre Artistique de Moscou (1898-1917), CNRS, Paris, 1979 Rose Whyman, Stanislavsky System of Acting; Legacy and Influence in Modern Performance, Cambridge University Press, Cambridge, 2008. Nick Worall, The Moscow Art Theatre, Routledge, London, 1996. Frantisek Deak, Symbolist Theatre: The Formation of an Avant-Garde, John Hopkins University Press, Baltimore, 1993. Jacques Robichez, Le Symbolisme au théâtre: Lugné-Poe et les débuts de l'Oeuvre, Paris, 1957. Dennis Bablet, The Theatre of Edward Gordon Craig, Methuen, London, ²1981. Richard Beacham, Adolphe Appia; Theater Artist, Cambridge University Press, Cambridge, 1987. J. M. Walton (ed.), Craig on theatre, Methuen, London, 1991. Dennis Bablet (ed.), L’Expressionisme dans le théâtre européen, CNRS, Paris, 1971. Günter Berghaus Theatre, Performance and the Historical Avant-Garde, Palgrave Studies in Theatre and Performance History, Palgrave / Macmillan, New York, 2005 Heinrich Braulich, Max Reinhardt, Theater zwischen Traum und Wirklichkeit, Berlin, 1969. Leonard M. Fiedler, Max Reinhardt in Selbstzeugnissen und Bilddokumenten, Rowohlt, Hamburg, 1975. Heinz Kindermann, Max Reinhardts Weltwirkung: Ursachen, Erscheinungsformen und Grenzen, Bohlau in Kommission, Graz/Wien, 1969. David F. Kuhns, German Expressionist Theatre: the Actor and the Stage, Cambridge University Press, Cambridge, N.Y., 1997. J. L. Styan, Max Reinhardt, Cambridge University Press, Cambridge, 1982. Edward Braun, The Theatre of Meyerhold; Revolution on the Modern Stage, Methuen, London, 1986 Konstantin Rudnitsky, Russian and Soviet Theatre; Tradition and the Avant-Garde, Thames & Hudson, London, 1988 Sharon Marie Carnicke, The Theatrical Instict. Nikolai Evreinov and the Russian Theatre of the Early Twentieth Century, Peter Lang, New York, 1989. Spencer Golub, Evreinov: The Theater of Paradox and Transformation, UMI Research Press, Michigan, 1984. Andrei Malaev-Babel (ed.), The Vakhtangov Sourcebook, Routledge, London & N.Y., 2011. Alexander Tairov, Notes of a Director, University of Miami Press, Florida, 1969. Nick Worrall, Modernism to Realism on the Soviet Stage; Tairov - Vakhtangov - Okhlopkov, Cambridge University Press, Cambridge, 1989
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