ΣΚΗΝΟΘΕΤΙΚΑ ΡΕΥΜΑΤΑ ΣΤΗΝ ΕΥΡΩΠΗ Ι

Διαφάνειες

1. ικανότητα εκφραστικού λόγου (10 %) 2. κατανόηση και διατύπωση εννοιών (40%) 3. κριτική ικανότητα (30%) 4. συνθετική ικανότητα (20%)

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Marvin Carlson, Goethe and the Weimar Theatre, New York & London, 1978. Dieter Borchmeyer, Richard Wagner; Theory and Theatre, transl. by Stewart Spencer, Oxford University Press, 1991. Steven DeHart, The Meininger Theater 1776-1926, UMI Research Press, Michigan, ²1981. Max Grube, Geschichte der Meininger, Stuttgart, Berlin, Leipzig, 1926 [The Story of the Meininger, transl. A. M. Koller, University of Miami Press, Florida, 1970]. Ann Marie Koller, Georg II of Saxe-Meiningen and the German Stage, Stanford University Press, California, 1984. Jean Chothia, André Antoine, Cambridge University Press, Cambridge, 1991. John Henderson, The First Avant-Garde (1887-1894); Sources of the Modern French Theater, George G. Harrap & CO. LTD, London, 1971. Claus Horst, The Theatre Director Otto Brahm, UMI Research Press, Michigan, ²1981. Bettina Knapp, The Reign of the Theatrical Director in French Theater: 1887-1924, Whitston Publication Company, N.Y., 1988. J. L. Styan, Modern Drama in Theory and Practice vol. 1-3 Jean Benedetti, Stanislavsky: An Introduction, Routledge, London & NY, 2004 (¹1982) Jean Benedetti, The Moscow Art Theatre Letters, Routledge, London & NY, 1991 Claudine Amiard Chevrel, Le Théâtre Artistique de Moscou (1898-1917), CNRS, Paris, 1979 Rose Whyman, Stanislavsky System of Acting; Legacy and Influence in Modern Performance, Cambridge University Press, Cambridge, 2008. Nick Worall, The Moscow Art Theatre, Routledge, London, 1996. Frantisek Deak, Symbolist Theatre: The Formation of an Avant-Garde, John Hopkins University Press, Baltimore, 1993. Jacques Robichez, Le Symbolisme au théâtre: Lugné-Poe et les débuts de l'Oeuvre, Paris, 1957. Dennis Bablet, The Theatre of Edward Gordon Craig, Methuen, London, ²1981. Richard Beacham, Adolphe Appia; Theater Artist, Cambridge University Press, Cambridge, 1987. J. M. Walton (ed.), Craig on theatre, Methuen, London, 1991. Dennis Bablet (ed.), L’Expressionisme dans le théâtre européen, CNRS, Paris, 1971. Günter Berghaus Theatre, Performance and the Historical Avant-Garde, Palgrave Studies in Theatre and Performance History, Palgrave / Macmillan, New York, 2005 Heinrich Braulich, Max Reinhardt, Theater zwischen Traum und Wirklichkeit, Berlin, 1969. Leonard M. Fiedler, Max Reinhardt in Selbstzeugnissen und Bilddokumenten, Rowohlt, Hamburg, 1975. Heinz Kindermann, Max Reinhardts Weltwirkung: Ursachen, Erscheinungsformen und Grenzen, Bohlau in Kommission, Graz/Wien, 1969. David F. Kuhns, German Expressionist Theatre: the Actor and the Stage, Cambridge University Press, Cambridge, N.Y., 1997. J. L. Styan, Max Reinhardt, Cambridge University Press, Cambridge, 1982. Edward Braun, The Theatre of Meyerhold; Revolution on the Modern Stage, Methuen, London, 1986 Konstantin Rudnitsky, Russian and Soviet Theatre; Tradition and the Avant-Garde, Thames & Hudson, London, 1988 Sharon Marie Carnicke, The Theatrical Instict. Nikolai Evreinov and the Russian Theatre of the Early Twentieth Century, Peter Lang, New York, 1989. Spencer Golub, Evreinov: The Theater of Paradox and Transformation, UMI Research Press, Michigan, 1984. Andrei Malaev-Babel (ed.), The Vakhtangov Sourcebook, Routledge, London & N.Y., 2011. Alexander Tairov, Notes of a Director, University of Miami Press, Florida, 1969. Nick Worrall, Modernism to Realism on the Soviet Stage; Tairov - Vakhtangov - Okhlopkov, Cambridge University Press, Cambridge, 1989