Course Content (Syllabus)
INSCRIBED OBJECTS OF THE BYZANTINE MINOR ARTS
The seminar focuses on the study of objects of the minor arts (encolpia, rings, reliquaries, staurothekai, coins, seals etc.) that bear inscriptions, either metrical or not. Topics that will be discussed include the inscribing techniques, the character of inscribed texts (donor inscription, invocation, apotropaic inscription etc.), the function of the written text with regard to its content, but also to its form. Besides inscribed objects that have survived, also texts intended to be inscribed on objects that no longer exist will also be considered. Finally, special attention will be given to the characteristics of the Byzantine society that created these objects – e.g. the degree of literacy, personal piety, self-projection and promotion, the role of gender identity in the choices made – and their evolution through time. The learning goals of the seminar include the acquaintance of students with the literary and artistic production of Byzantium, the realization of the necessity of combining the written sources with the archaeological evidence and the comprehension of their contribution to the study of Byzantine society.
The following topics will be discussed in the seminar:
Inscribed apotropaic objects of the minor arts
The minor arts and gender: inscribed works of the minor arts for/from women
Objects of the minor arts inscribed with religious texts
Inscribed works of the minor arts made of ivory
Lead seals with metric inscriptions: the relationship between text and image
Epigrams of the codex marcianus 524 and of Manuel Philes on non-surviving works of the minor arts
In the framework of the seminar, the following guest lectures will take place:
Ch. Simelides, AuTH: Inscriptions and epigrams on works of art. The view of a philologist.
A. Drandaki, University of Athens and Benaki Museum: techniques for the manufacture of objects of the minor arts and the application of inscriptions
V. Foscolou, University of Crete, Objects of the Byzantine minor arts related to apotropaic purposes and pilgrimage
C. Sode, University of Cologne, Seals and Identity in Byzantium