Theory and practice of ecclesiastical music I
| Title | Θεωρία και Πράξη της Εκκλησιαστικής Μουσικής Ι / Theory and practice of ecclesiastical music I |
| Code | Χ350 |
| Faculty | Theology |
| School | Social Theology and Christian Culture |
| Cycle / Level | 1st / Undergraduate |
| Teaching Period | Winter |
| Coordinator | Ioannis Liakos |
| Common | Yes |
| Status | Active |
| Course ID | 600021651 |
| Academic Year | 2023 – 2024 |
| Class Period | Winter |
| Faculty Instructors |
|
| Weekly Hours | 3 |
| Total Hours | 39 |
| Class ID | 600229937
|
Class Schedule
| Building | Θεολογική |
| Floor | Όροφος 1 |
| Hall | ΑΜΦΙΘΕΑΤΡΟ Δ (94) |
| Calendar | Τρίτη 18:00 έως 21:00 |
Course Type 2021
Specialization / Direction
Mode of Delivery
- Face to face
Digital Course Content
- e-Study Guide https://qa.auth.gr/en/class/1/600229937
Language of Instruction
- Greek (Instruction, Examination)
Learning Outcomes
At the end of the semester, students will:
- know the music book Heirmologion and its evolution during the Byzantine and Post-Byzantine period. Also, the short and slow part of the Heirmologion will be studied with corresponding musical examples.
- learn historical facts about the post-Byzantine composers, Panagiotes the New Chrysaphes, Archbishop Germanos Bishop of New Patras, Iakovos Protopsaltis, Petros Labadarios and Chourmouzios Chartofylax, composers of the Sticherarion of the post-Byzantine period.
- practice on Sticherarion.
General Competences
- Apply knowledge in practice
- Adapt to new situations
- Work autonomously
- Work in teams
- Advance free, creative and causative thinking
Course Content (Syllabus)
The music book Heirmologion as it evolved during the Byzantine and Post-Byzantine period will be presented. Also, the short and slow part of the Heirmologion will be studied in the eight modes. Furthermore, there will be a presentation of the Sticherarion of the post-Byzantine period with compositions by Panagiotis Chrysaphes, Germanos Bishop of New Patras, Iakovos Protopsaltis, Petros Labadarios and Chourmouzios Chartofylax.
1.Heirmologion as music manuscript of 18th-19th century, Petros Peloponnesios (1778) and Petros Byzantios (1808). –
2.The ''short'' Heirmologion - The formula of the short melody as a structural ele-ment.
3.The "slow" Heirmologion: A’ The Byzan-tine Heirmologion (for 14th – 15th centu-ries). Heirmologion in the 17th century: Theofanis Karykis, Panagiotes the New Chrysaphes, Germanos Bishop of New Patras, Kosmas Iviritis.
4.The Heirmologion of Balasis the priest. - The Heirmologion of Petros Peloponne-sios. - The formula of the slow melody as a structural element.
5.Theory and Practice with short Heirmologion:
A’ The "first" modes α’ and plagal a’
B’ The "fourth" modes δ΄and plagal δ΄
C’ The "third" modes γ’ and grave
D’ The "second" modes β΄ and plagal β΄
6.The Anastasimatarion as part of Byzan-tine Sticherarion.
7.The Anastasimatarion of Panagiotes the New Chrysaphes with ''ornamenting'' (second half of the 17th century).
8.The formula of the slow Sticherarion as a structural element.
9.The Anastasimatarion of Petros Peloponnesios, as a ‘‘new slow’’ Sticherari-on.
10.Theory and Practice with Sticherarion:
A’ The "first" modes α’ and plagal a’
B’ The "fourth" modes δ΄and plagal δ΄
C’ The "third" modes γ’ and grave
D’ The "second" modes β΄ and plagal β΄
11.The sticheron idiomelon of Panagiotes the New Chrysaphes and Ger-manos Bishop of New Patras with ''or-namenting'' and ''novel formula'' (sec-ond half of the 17th century).
12.The detachment of the Doxastic idiome-lon from Sticherarion and the formation of the "Doxastario" code. The Dogmatic Theotokia. The Doxastario of Iakovos Protopsaltis.
13.The Doxastario of Petros Peloponnesios. The Doxastario of Chourmouzios Chartofylax.
Keywords
Anastasimatarion, Heirmologion, Sticherarion, Doxastario, ''Οrnamenting'', ''novel formula''
Educational Material Types
- Notes
- Slide presentations
- Audio
- Book
Use of Information and Communication Technologies
Use of ICT
- Use of ICT in Course Teaching
- Use of ICT in Communication with Students
Course Organization
| Activities | Workload | ECTS | Individual | Teamwork | Erasmus |
|---|---|---|---|---|---|
| Lectures | 25 | 1 | |||
| Fieldwork | 20 | 0.8 | |||
| Reading Assigment | 20 | 0.8 | |||
| Internship | 20 | 0.8 | |||
| Artistic Workshop | 15 | 0.6 | |||
| Total | 100 | 4 |
Student Assessment
Student Assessment methods
- Oral Exams (Formative, Summative)
Bibliography
Additional bibliography for study
* Αντωνίου Σπυρίδων πρωτοπρεσβύτερος, Το Ειρμολόγιον και η παράδοση του μέλους του, έκδοση ΙΒΜ, Αθήνα 2004.
* Αναστασίου Γρ., «Ὁ πρωτοψάλτης Κυζίκου Πέτρος Φιλανθίδης», Ανατολής το Περιήχημα τεύχος 1, 2014.
* Δοξαστάριον Πέτρου, Σύντομον Δοξαστάριον τοῦ ἀοιδίμου Πέτρου λαμπαδαρίου τοῦ Πελοποννησίου, μεταφρασθὲν κατὰ τὴν νέαν μέθοδον τῆς μουσικῆς τῶν μουσικολογιωτάτων διδασκάλων τοῦ νέου συστήματος, ἤδη εἰς φῶς ἀχθὲν ἀναλώμασιν τῶν ἐκδοτῶν, ἐν τῷ τοῦ Βουκουρεστίου νεοσυστάτῳ τυπογραφείῳ 1820 [= Ἀθήνα 1986]
* Στάθης Γρ. Θ., «Ἀνάλυση τοῦ στιχηροῦ τοῦ Γερμανοῦ ἀρχιερέως Νέων Πατρῶν ‘‘Τὸν ἥλιον κρύψαντα’’. [Ἡ παλαιὰ ‘‘Συνοπτικὴ’’ καὶ ἡ Νέα ‘‘Ἀναλυτικὴ’’ Μέθοδος τῆς Βυζαντινῆς Σημειογραφίας]», Τιμὴ πρὸς τὸν διδάσκαλον, σσ. 534-587.
* Στάθης Γρ. Θ., «Γερμανὸς ἀρχιερεὺς Νέων Πατρῶν (β΄ ἥμισυ ιζ΄ αἰῶνος). Ἡ ζωὴ καὶ τὸ ἔργο του», ἀνάτυπο ἀπὸ τὸν 30ὸ τόμο Ἐπίσημοι Λόγοι Περιόδου ἀπὸ 31.8.1988 ἕως 31.8.1991 (Πρυτανεία Μιχ. Π. Σταθοπούλου), Ἀθήνα 1998, σσ. 391-418.
* Στάθης Γρ. Θ., «Ἡ σύγχυση τῶν τριῶν Πέτρων (δηλ. Μπερεκέτη, Πελοποννησίου καὶ Βυζαντίου)», Βυζαντινὰ 3 (1971), σσ. 216-251.
* Στάθης Γρ. Θ., «Ἰάκωβος Πρωτοψάλτης ὁ Βυζάντιος († 23 Ἀπριλίου 1800)», Ἐπιστημονικὴ Ἐπετηρὶς τῆς Θεολογικῆς Σχολῆς τοῦ Πανεπιστημίου Ἀθηνῶν 32 (1997), σσ. 317-334.
* Μουσικός Πανδέκτης ΙΙΙ, Ειρμολόγιο, εκδόσεις ΖΩΉΣ,
* Αναστασιματάριον Πέτρου Πελοποννησίου, Διασκευή Ιωάννου Πρωτοψάλτου, Εκδόσεις ΖΩΗΣ.
Last Update
05-09-2023
