FILM EDITING IV
| Title | ΜΟΝΤΑΖ IV / FILM EDITING IV |
| Code | 5ΜΟ2 |
| Faculty | Fine Arts |
| School | Film |
| Cycle / Level | 1st / Undergraduate |
| Teaching Period | Winter |
| Coordinator | Ioannis Kolaxizis |
| Common | Yes |
| Status | Active |
| Course ID | 280007584 |
Programme of Study: UPS of School of Film Studies (2009-2013)
Registered students: 88
| Orientation | Attendance Type | Semester | Year | ECTS |
|---|---|---|---|---|
| Core | Elective Courses beloging to the selected specialization | 5 | 3 | 5 |
| Academic Year | 2023 – 2024 |
| Class Period | Winter |
| Faculty Instructors |
|
| Instructors from Other Categories | |
| Weekly Hours | 4 |
| Class ID | 600241013
|
Course Type 2016-2020
- Scientific Area
Course Type 2011-2015
Knowledge Deepening / Consolidation
Mode of Delivery
- Face to face
Digital Course Content
- e-Study Guide https://qa.auth.gr/en/class/1/600241013
- eLearning: www.amg-net.gr/animation_kolaxizis/
- Other: http://www.amg-net.gr/gkolaxizis/
Language of Instruction
- Greek (Instruction, Examination)
Prerequisites
Required Courses
- 1ΜΟ1 FILM EDITING I
- 3ΜΟ2 FILM EDITING II
Learning Outcomes
At the end of the semester the students will be able to:
1) to be able to perceive and critically approach the film editing of films that have been dissertations of various, mainly European film schools.
2) to be able to perceive the creation of aesthetics with the film editing of films that have been theses of various, mainly European film schools.
3) to be able to propose script rearrangements with the tool of Cinema Editing with reference to short films of various creators that were drawn from a film festival.
4) to prepare filmed material for various screenings.
5) to develop the aesthetics for the creation of cinematic compositions.
General Competences
- Apply knowledge in practice
- Retrieve, analyse and synthesise data and information, with the use of necessary technologies
- Adapt to new situations
- Make decisions
- Work autonomously
- Work in an interdisciplinary team
- Generate new research ideas
- Be critical and self-critical
- Advance free, creative and causative thinking
Course Content (Syllabus)
Narrative conventions and experimentation II "Rules" and "usual ways" decoupage-editing in familiar situations and in various genres: Comic scenes, impressionist, descriptive sequences, reportage. Philosophy of editing and analysis of movies from the world cinema.The films that have been created as dissertations of many well-known schools abroad as well as Greek short films drawn from various film festivals are rich sources of aesthetics for cinematic creation always based on film editing. The research and application of the principles of optics by many short filmmakers, are basic didactic approaches for film editing in the modern creative environment of cinematic creation.
Keywords
Narrative conventions and experimentation, film analysis, synthesis
Educational Material Types
- Notes
- Slide presentations
- Multimedia
- Book
Use of Information and Communication Technologies
Use of ICT
- Use of ICT in Course Teaching
Course Organization
| Activities | Workload | ECTS | Individual | Teamwork | Erasmus |
|---|---|---|---|---|---|
| Lectures | 30 | 1 | ✓ | ||
| Laboratory Work | 30 | 1 | ✓ | ||
| Reading Assigment | 30 | 1 | |||
| Project | 30 | 1 | ✓ | ||
| Artistic creation | 30 | 1 | ✓ | ||
| Total | 150 | 5 |
Student Assessment
Description
INDIVIDUAL PROJECT
Student Assessment methods
- Written Exam with Multiple Choice Questions (Formative, Summative)
- Report (Formative, Summative)
- Labortatory Assignment (Formative, Summative)
Bibliography
Course Bibliography (Eudoxus)
1. Παπαστάθης, Λάκης. Οταν ο Δαμιανός γύριζε την Ευδοκία. Πατάκης 2006.
2. Jacobs, Lewis. Τα εκφραστικά μέσα του κινηματογράφου. Μεταφρ. Στεφανία Ρουμπή, Επιμέλεια: Μάκης Μωραΐτης.
Καθρέπτης, Αθήνα2006.
3. Συλλογικό έργο. Το μοντάζ. Αιγόκερως 2003.
Last Update
02-05-2024
