Learning Outcomes
Upon completion of the lectures students will be able to:
Understand the necessity of interdisciplinarity and the demand for open dialogue
-come in contact with the major ontological questions, through the art of cinema, while demonstrating their universal and pan-human character
-Understand the necessity of affirmation in the "mystery" of scientific emptying and recruitment, paving the way for accepting the end of any interpretative certainty and rest
-understand the dynamics of dogmatic theology and the corallations both for the whole of modern civilisation
Course Content (Syllabus)
A dialogue of Orthodox theology with the art of cinema. In this case the focus is both on ontology and on technology. Cinema functions as a "language" as the center of gravity of an expanded interdisciplinarity, allowing for awareness and much more understanding of the story. And this is the history, this civilization, which is the womb in which the Logos has been enriched, and the word of Christian theology has developed.
Course Bibliography (Eudoxus)
Χρυσόστομος. Σταμούλης, Έρως και θάνατος. Δοκιμή για ένα πολιτισμό της σάρκωσης, Αθήνα: Αρμός, 2019.
Αντρέ Μπαζέν, Τι είναι κινηματογράφος, Αθήνα: Αιγόκερως, 2020.
Henri Agel, Η αισθητική του κινηματογράφου, Αθήνα: Ζαχαρόπουλος, 1980.
Αντρέι Ταρκόφκσι, Σμιλεύοντας το χρόνο, Αθήνα: Νεφέλη 1987.
Additional bibliography for study
Βρασίδας, Καραλής, Theo Angelopoulos. Filmaker and philosopher, London: Bloomsburry Academic 2023.
Βρασίδας Καραλής, Μια ιστορία του ελληνικού κινηματογράφου, Αθήνα: Δώμα 2023
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