FILM THEORY II

Course Information
TitleΘΕΩΡΙΑ ΚΙΝΗΜΑΤΟΓΡΑΦΟΥ ΙΙ / FILM THEORY II
Code2ΘΚ2
FacultyFine Arts
SchoolFilm
Cycle / Level1st / Undergraduate
Teaching PeriodSpring
CoordinatorEleftheria Thanouli
CommonYes
StatusActive
Course ID280007578

Programme of Study: UPS of School of Film Studies (2009-2013)

Registered students: 194
OrientationAttendance TypeSemesterYearECTS
CoreCompulsory Course213

Class Information
Academic Year2023 – 2024
Class PeriodSpring
Faculty Instructors
Weekly Hours4
Class ID
600248034
Course Type 2021
General Foundation
Course Type 2016-2020
  • Scientific Area
Course Type 2011-2015
Specific Foundation / Core
Mode of Delivery
  • Face to face
Digital Course Content
Language of Instruction
  • Greek (Instruction, Examination)
General Competences
  • Work autonomously
  • Generate new research ideas
  • Be critical and self-critical
  • Advance free, creative and causative thinking
Educational Material Types
  • Notes
  • Slide presentations
  • Multimedia
  • Book
Use of Information and Communication Technologies
Use of ICT
  • Use of ICT in Course Teaching
  • Use of ICT in Laboratory Teaching
  • Use of ICT in Communication with Students
Course Organization
ActivitiesWorkloadECTSIndividualTeamworkErasmus
Lectures521.7
Written assigments381.3
Total903
Student Assessment
Student Assessment methods
  • Written Assignment (Summative)
  • Performance / Staging (Summative)
Bibliography
Course Bibliography (Eudoxus)
Επιλογή Συγγραμμάτων Μια κάποια τάση του χολιγουντιανού κινηματογράφου 1930-1980, Ray Robert, Επιμ. Κοκκώνης Μιχάλης, κωδικός: 32938 Επιλογή Συγγραμμάτων Βιβλίο [2825]: Η Μορφή του Φιλμ, Σ.Μ. Αϊζενστάιν Επιλογή Συγγραμμάτων Βιβλίο [2229]: Τι Είναι ο Κινηματογράφος, Αντρέ Μπαζέν Επιλογή Συγγραμμάτων Βιβλίο [2232]: Τι Είναι ο Κινηματογράφος, Αντρέ Μπαζέν Επιλογή Συγγραμμάτων Βιβλίο [3032]: Θεωρίες του Κινηματογράφου, Ειρήνη Στάθη
Additional bibliography for study
Andrew, D. (1984), Concepts in Film Theory (Oxford: Oxford University Press). Bordwell, D. (1985), Narration in the Fiction Film (London: Routledge). ––––––––, J. Staiger, and K. Thompson (1985), The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (New York: Routledge). Braudy, L. and M. Cohen ((1999) (eds), Film Theory and Criticism: Introductory Readings (New York: Oxford University Press). Carroll, N. (1996), Theorizing the Moving Image (New York: Cambridge University Press). Caughie, J. (1981) (ed), Theories ofAuthorship: A Reader (London: Routledge). Grant, B. K. (1995) (ed), Film Genre Reader II (Austin, TX: University Texas Press). Hill, J. and P. Church Gibson (1998) (eds), The Oxford Guide to Film Studies (Oxford: Oxford University Press). Neale, S., (2000), Genre and Hollywood (London and New York: Routledge). Schatz, T. (1981), Hollywood Genres: Formulas, Filmmaking and the Studio System (New York: McGraw-Hill).
Last Update
09-04-2024